I'm at it again - giving away stuff. This time, it's a free, hi-res PDF download of Permission and Initiative Prints and Cards that I have worked on recently. I showed a sneak peek of the Permission piece in my Mixed Media Fun post, and shared the images in my Permission and Initiative post.
The image below shows a quick peek at the 5-page document.
The download includes two 8"x10" prints, four 4"x6" cards, and eight 2"x3.5" business-sized cards. The two sheets of 4x6s and 2x3.5s are meant to print back-to-back so that you can have double-sided cards.
So, give yourself the gift of Permission and Initiative. Download the file by clicking here, print them on card stock or photo paper, and have fun.
Hang 'em up, glue 'em in your journal, or laminate 'em so you can always be reminded that you have both permission and initiative to create. You never have to wait around for someone to say so.
You can check out other free downloads that I have on the JFJ site by going here.
Sunday, January 18, 2015
One of my goals for 2015 is to spotlight people who have had an impact on me in some way and who have inspired me and helped move along my path. Some of these heroes I know personally, some I have met briefly, some are internationally known, and some have long left this earth. They are from all walks of life and are from very different backgrounds, but they all have impacted me in some substantial way, and I want to acknowledge and honor them.
It is only right and fitting that I start with my fellow Journal Fodder Junkie, David Modler, for it was he who helped set me on the path I am on now. Without Dave there would be no JFJ, no books, no traveling and presenting, and my art would probably be much, much different.
David and I met over sixteen years ago in the fall of 1998. I had just moved to Leesburg in Northern Virginia to start teaching in Loudoun County Public Schools. We met for the first time at a training session for elementary art teachers, but we were never formally introduced. It was only a couple months later when we met again at an artists’ reception that we were formally introduced, and I was first introduced to the visual journal when I noticed the small, bulging sketchbook that Dave carried. I had no idea then what an impact it would have on my life at the time.
Dave and I quickly became friends, and he introduced me further to his art and to the visual journal. I was deeply impressed with the fact that here was a guy who taught art in the public schools like I did, but he was finding the time to make his own art. Dave was the first art teacher that I had ever met that was also an artist, and that’s exactly what I wanted to do.
Over the first few years of our friendship, David was very much a mentor to me, both as an artist and as an educator, and though it took me a while to find the courage to begin a visual journal, I embraced the process once I did. My art began to radically change under Dave’s influence, and anytime we learned or discovered something new about the visual journal, we eagerly shared it with each other. Even after Dave moved to North Carolina in 2001, it became our habit to exchange journals first thing when we got together. At the time, we were just two artists sharing a passion for art and the excitement of working and learning in a new form. We had no idea where this was all heading.
Things began to take off in 2005, when we teamed up and began presenting together at a couple of art education conferences and officially became the Journal Fodder Junkies. Things expanded when we presented at the North Carolina Center for the Advancement of Teaching (NCCAT) on five separate occasions and were able to work with some wonderful North Carolina educators. NCCAT was an amazing experience, and it only happened because of Dave had the opportunity to attend NCCAT as a North Carolina educator. Other presenting and workshops followed at various schools, mostly in North Carolina.
It was during this time that David quit teaching in the public school systems, and went back to school and obtained his MFA. In many ways I felt like I was going back to school with all the discussions that we had about art. Dave shared his grad school experiences with me, and I tried to absorb as much as I could. He talked about the theories he had to read about, the artists he was exploring, the critiques he had, and of course, the art that he was making. All of that got me thinking about my art and my motivations. Once again my art began to radically change as what Dave was sharing with me got me to delve deeper into my work and to question that things that I was doing.
Two books and countless presentations and workshops have followed. We have been fortunate to travel all over the US and to Canada, and Dave has even gotten to travel to Australia. We have met thousands of people and hopefully inspired and motivated a few, and to think that it all started in a computer lab with a group of art teachers more than sixteen years ago.
David is one of my best friends, and I consider him a brother. I am so grateful to have an accomplice like him, and it has been an awesome experience to share the JFJ’s journey with Dave. He has pushed me to grow as a person, as an educator, and as an artist. I look forward to seeing where we go from here.
Thanks, Brother. It was been quite adventure.
Thursday, January 15, 2015
As part of shifting my momentum, I have been thinking a lot lately about what I want - what I really want. There have been a couple quotes bumping around in my head.
"Get busy living, or get busy dying." - Shawshank Redemption
"Never get so busy making a living that you forget to make a life."
I want to live a life full of passion and purpose, making art and sharing with people. I definitely feel that I am on the path. Here's to finding my way.
Monday, January 12, 2015
Dave and I are pleased to announce that we will be teaching two workshops at the Chestnut Creek School of the Arts in Galax, VA Valentine's Day weekend, Saturday, February 14 and Sunday, February 15. Each day is a separate workshop, so sign up for one or both.
On Saturday, February 14, we will be offering Visual Ammunition for the Art Addict. Based on our first book, this workshop will feature a barrage of techniques and concepts that we employ in the journal. Workshop price $150
On Sunday, February 15, we will be offering Transitional Spaces, which will focus on manipulating pages and creating pockets, doors, windows, and much more. Workshop price: $150
For more information and to register, visit Chestnut Creek’s website.
Space is limited, so make sure to sign up so that you don’t miss out. We hope to see you in southwestern Virginia in February.
Friday, January 9, 2015
Many people are drawn to the act of making. They want to paint a picture, sew a quilt, knit a scarf, write a novel, or throw a pot. This urge goes back to childhood, and as children we made without hesitation creating pictures, toys, stories, and songs. As adults, we are much more hesitant, and our fear holds us back. We may be afraid of not being able to do it at all, or we may be afraid that we can’t do it well. We may feel that we have no ideas or that we don’t know how to start. Unfortunately, many of us give into the doubts as we hem and haw, complain and moan about not being talented, not being good, or not being artists. These are only excuses - ways of saying that we are not allowing ourselves to make and create. So, many of us just sit idly by as if waiting for someone to tell us that it’s alright - it’s ok for us to create. And so, many of us just sit and wait and never make.
However, that urge can linger. We can feel the draw of the clay or the allure of the yarn, and it keeps pulling at us. Finally we can’t stand it any longer, and give in. We give ourselves permission to initiate something - to get started. For many of us, we look at what other people have made for inspiration. We think how great it would be to make what these other people are making. There’s a safety factor there. We see that it can be done and it has been done, so we might, just might, be able to do it, too.
Now don’t get me wrong, it’s great to be inspired by others and to want to learn from them, but we have to be careful because we can easily fall into a trap. When we look to the things that other people make, we can feel like we can only do it their way - that there is a right way and a wrong way. We get caught up in doing it exactly right - exactly like that person, and there’s the trap. Whether we follow step-by-step directions or we simply mimic the work, we give ourselves permission to copy someone else. Why? It’s safe, everything is figured out, and we don’t have to come face-to-face with our massive doubts. We started AND finished something. We made it, but we didn’t create it. We didn't come up with the idea. We didn’t develop the process or the sequence. We merely followed the recipe that someone figured out or copied their example.
If creativity is about coming up with something new that has value, how is copying someone - doing exactly what they do - creative? If we really want to step up our game - if we really want to initiate something that is uniquely our own, we need to give ourselves permission to do more than just copy other people. We need to be open to our doubts, our fears, our hopes, and our dreams.
To that end, we are the only ones who can give ourselves the initiative and permission to create.
We must give ourselves permission to:
not know what we’re doing
not be perfect
express what we feel
We must find the initiative to:
get off our lazy butts
break out the tools
make the effort
trust our own ideas
learn from others
not to merely copy
accept where we are
lean into our fear
make a mess
make a mess
Wednesday, January 7, 2015
If you're in the Northern Virginia area, come out Friday, January 23 from 6-9PM, to Old Ox Brewery in Ashburn, VA from 6-8PM. We're kicking off the inaugural exhibit of Loudoun Arts Council's artWorks program. Come out, enjoy some great local art, and have a pint of great local beer.
Hope to see you there!
Tuesday, January 6, 2015
I've been working on more things. This time it's for a free download that I want to make available. Hopefully by the end of the week, I'll be finished and have it uploaded for people.
I layered a variety of watercolor techniques, along with some watercolor pencil and ink. I can't wait to share the finished project.
Sunday, January 4, 2015
As the new year begins, I am shifting my momentum so that I can connect more with people both face-to-face and online. To that end, I have been working on various ideas for potential projects for myself and for the Journal Fodder Junkies, and I have rededicated myself to helping others connect to their creativity. I have already begun putting a lot of energy into the shift, and I am hoping that I can sustain the energy throughout the year. I am excited to share a little peek into what I have planned.
One of my big goals for 2015 is to create a series of online workshops as a way to allow people who have been wishing to take our workshops but haven't been unable because of cost, location, or circumstance to share in the experience. The online workshops will be at a much reduced price than the face-to-face, but they will contain a lot more content.
Here’s my plan. By the end of the year I would like to have everything in place so that come January 1, 2016, the first official Journal Fodder Junkies online workshop can launch. I know that’s a year away, but there’s a lot to do. And I do have a day job, so if I get things done before then, I can launch earlier. I just don’t know how it will work out, so I'm giving myself a year to get it done. The workshop will be self guided, and the image above is a peek at what I have been working on. Participants will have 24/7 access to a series of videos, written instructions, and a whole lot of extras including discussions and forums allowing everyone to work at their own pace and share their progress and struggles.
The first step is to set up a platform that enables workshops. My first thought is to create a Ning site. A lot of people that I admire like Traci Bautista use Ning, but if anyone has taken an online workshop through another platform and has another suggestion, I am all ears.
If the first workshop is successful, the next step would be to add more workshops. I also envision a section that is open to everyone with free videos and downloads. Dave will join in when he can, and between the two of us, I hope to be able to offer a wide range of topics and techniques.
I know that there are a lot of online workshops out there for visual journals and mixed art, but I think that we can offer something a little bit different. Our goal is to keep it simple, and share ways to allow individuals to discover and enhance their creativity and tune into their own voices. I think that is what sets our books apart from many out there. We don’t dictate an end product, but we share a wealth of ideas, and individuals use these ideas as they see fit to make the art they want to make.
Along with online workshops, I’m hoping to put together more videos for YouTube, create a series of freebies and giveaways - downloads and other goodies, work on more book ideas - both solo ideas and ideas with Dave, and post more frequently sharing a variety of ideas, inspiration, and news.
And to give you a taste for what’s to come, I wanted to look to the past and share a tutorial that I made a while back. It’s all about how I made a two page spread about Change, and I offered this to people before. You might already have it, but I did make some minor tweaks. It’s more things like this that I want to put out into the world. So, please click the link and enjoy a free PDF download. The link should be a direct download to the file.
Please leave feedback in the comments letting me know what you think.
Tuesday, December 30, 2014
The last few years have been a bit difficult for me, and I have felt very disconnected many times - disconnected from myself, disconnected from others, disconnected from my art, and disconnected from my job. As such, I haven't been happy with the direction of my life lately. I have felt stuck, tired, and frustrated. I have felt run down and closed off, but I am ready for a change - ready to reconnect - ready to step out and open myself again.
So, I am setting out to do just that in the New Year, and I have set a mission for the Journal Fodder Junkies. It’s not a new mission. Actually it’s the mission that we have been on since we began offering workshops all those years ago. I have just finally given it voice.
The mission of the Journal Fodder Junkies is to help others connect with their creativity and find their authentic artistic voices. It’s a simple mission, but I have lost sight of it over the years. I want to bring it to the forefront of everything that I do. It was the reason that I started this blog more than seven years ago. It’s why we wrote our two books, and it’s why we continue to offer presentations, seminars, and workshops.
But over the last few years, I know that I have lost sight of that simple mission, and have allowed myself to be dragged down a bit. Recently, my focus has been on figuring out a way to to make enough money doing what I love to do so that I could step away from my job as a public school art teacher. I love teaching workshops, sharing my art and process, and connecting to people through my artistic journey, but I have been diverting my energy away from my true goal of connecting with others to trying to get a sustainable business going. Everything has suffered. I have been focused so much on making a living that I have forgotten to make a life.
With the New Year looming, it seems like a perfect time to set my intentions back on track, and forget about the monetary and business elements. I want to focus again on sharing and connecting. So, in that vein I wanted to share something that I made several years ago, and some people may already have this. I want to share a piece of my art that I made four years ago that went along with my rules for making art. You can read my original post of Eric’s Rules here. Soon, I’ll have to share my updated rules.
Please feel free to download the image above. Print it if you like, and hang it up. Or maybe glue it into your journal, and please share it with others.
Thanks so much, and Happy New Year!
Wednesday, December 24, 2014
For a little over a year, I have been working on my Home series. It began with a painting that I created by projecting maps of the various places I have lived and called home. I then proceeded to create another painting using all the places that my wife has lived and called home. Other paintings in the series have sprung from layering different combinations of these two painting. For my latest paintings, I wanted to work on a bit of a larger scale and to take the work a step further. Instead of working on paper or canvas, I decided to work on two 22"x30" panels that I had made over the summer using wood and masonite. I originally intended on mounting some works on paper onto these, but I changed my mind and decided to gesso them. Once the gesso dried, I used Golden High Flow Acrylic and painted the pieces with a light blue. Up until now, I have left the background white, but I wanted to try working on a slick, acrylic surface other than white.
Once the light blue was dry, I projected a variety of locations onto the panels. I used several clamps to clamp the pieces to the table and to one another. For the locations, I used the places that my parents and my in-laws have called home, and I traced all the roads and highways in pencil. The image above shows a portion of Washington, PA where my parents lived when they were first married.
I'm in the process of creating the initial web using a pink I mixed up using the Golden High Flow Acrylics. I love using this paint in Montana Paint Markers because it gives me such better control of the paint. It's a slow process of converting the pencil lines into the web, but I have one panel almost finished.
It'll take some time to complete the pink with all the tightly knit lines and spaces. I do like how the accumulation of marks from the various roads build up into an organic structure. But this is just the first layer. Next, I'll project more locations, or I'll project portions of other Home paintings to create at least three different layers of webs. I can't wait to see how this diptych turns out. For more information how this series came about, see this post from November.