Sunday, April 23, 2017
I was fortunate this weekend to spend a full day teaching my Luminous Liquid Layers at Larkin Arts in Harrisonburg, VA. I haven't spent much time in Harrisonburg since David graduated from the MFA program at James Madison University, so it was nice to go back. Larkin Arts is an cool spot right in the heart of the city, and it's an all-in-one stop for the arts. They sell art supplies, have a gallery, rent out studios to artists, and offer classroom space for workshops.
There were only three students in the class, so we were able to spread out as we worked. Using Golden High Flow Acrylic, we built layers, textures, and patterns, and spent six solid hours playing with the paint.
The process was one of discovery, and I encouraged the students to not have a preconceived idea of what they were painting. Allowing the painting to develop through cultivating the accidental and the unpredictable always leads to creative surprises that you can't get through meticulous planning.
I want to thank Valerie Smith, owner of Larkin Arts, for hosting me and the students as we made a creative mess, and I hope to go back and offer more workshops in such a eclectic space.
If you missed out on this workshop, I'll be offering a more in-depth Luminous Liquid Layers workshop at 310 Art in Asheville, NC in May.
Saturday, April 22, 2017
Two weeks ago I was teaching classes in Portland at Art and Soul, but it's taken me this long to finally create a post about it.
Unlike like last year when David and my wife both went to Portland, I went my myself this year. Though I enjoy exploring a new place with someone else, it's also very satisfying to wander and explore by myself. I flew into Portland a couple of days early so that I could do just that - explore.
I started of my first full day exploring the Japanese Gardens and downtown Portland. Despite the rain, the gardens had a lot of people, but not so many that it was a bother. I was struck with how green everything was, and the leaves on the trees hadn't even started to bud. But with the copious amounts of rain Portland gets, moss was everywhere. The gardens were breathtaking, and I thoroughly enjoyed exploring all the nooks and crannies of the place.
I found time during my first couple of days to initiate my new journal, and I worked in it in my hotel room, at the hotel bar, and in the lobby of the hotel. The size of the new journal makes it a bit more conducive to working in public spaces.
I kicked of my teaching with a mixed media postcard workshop, Wish You Were Here. I only had one student, so it was quite awesome to have a one-on-one session. We took a look at some of the positive moments of our lives, and used them as the inspiration for our cards - basically visual journaling on 4x6 inch mixed media cards.
That evening, I had a good sized class for Stencil Savvy, a stencil making class. We spent 3 hours explore a wide assortment of ideas for cutting original stencils. Using Grafix heavy duty stencil film, and a hobby knife, we started with simple shapes, and worked our way up to more complex ideas.
My final full day in Portland, I taught a visual journal class, Journal Fodder Junkies of the World Unite. Based on the the very first workshop David and I taught together about 12 years ago, we explored a variety of media, techniques, and writing prompts.
Although David wasn't there in person, he was there in spirit. I had silhouette stencil of him with me and several students used it in their work.
Although I didn't have packed classes, I was reminded why I love teaching these workshops. I love sharing my art and my processes for working on art. I love exposing people to new ideas and connecting them with their innate creativity. It was a lot of work, but a lot of fun.
It you missed all the fun, don't worry. I'll be teaching these same three classes a little closer to home when Art and Soul comes to Virginia Beach at the beginning of October. Hopefully David will be able to make it this time!
Registration is open now! Check out the classes here!
Friday, April 21, 2017
It's the 111th day of the year, and I've completed 111 daily visual journal challenges. Here are some of the results from this week. Some of these were done in my new, smaller journal that I begun at Art and Soul a couple of weeks ago. Enjoy.
Random Shapes: Watercolor Paint
Watercolor Paint: Dragging String
Watercolor Pencil: Drawing into Wet Paper
Texture Fills: Magazine
Sunday, April 16, 2017
Yesterday I filmed a glimpse into the process behind my paintings with Golden High Flow Acrylic. It only shows three techniques, and is only the beginning of a more complex painting. I plan to continue with other techniques, and I'll have share more later.
I share these techniques and more in my Luminous Liquid Layers workshop. I taught it first last month in Galax at the Chestnut Creek School of the Arts, and I'll be teaching it again next Saturday, April 22 at Larkin Arts in Harrisonburg, VA. I'll also be teaching a more in depth workshop at 310 Art in Asheville, NC next month.
Check out the Events page to see a listing of all workshops. In the meantime, check out some of the student works from the Galax workshop below.
Friday, April 14, 2017
Thursday, April 13, 2017
Last week I was in Portland, OR to teach at Art and Soul, and while I was there, I began a new journal. This journal is a bit of a departure for me. For the past 18 years, I have been using an 11x14 inch hardbound sketchbook as my journal - at first Cachet Classic Sketchbooks and then more recently Strathmore Hardbound Drawing Journals. Over the years, I have filled 24 volumes of these large books. David and I have a preference for this size simply because it's bigger than what we are all used to - 8.5x11 inches. From magazines to printer paper, 8.5x11 is the standard size of so many things, so the 11x14 makes us confront a different kind of space. Over the years we have also used 4x6 inch hardbound books as well. Again, their size creates a different space for us to react to.
But for my new journal, I wanted a change. I wanted something different. So I went with a Stillman & Birn 5.5x8.5 inch hardbound book with mixed media paper. I have used similar sizes in the past as sketchbooks and when I was fist getting onto the visual journal, but this is the first time that I am making a journal of this size my main journal. It's a bit of an experiment, so I'll have to see if it's something that I stick with or if I go back to the larger book. In the photo above, the journal on the left is the one that I am currently wrapping up and the one in which I have been doing the daily challenges. The journal on the right is my new one, the one that I began last week. Having four days in Portland and teaching a full-day class on journaling gave me a lot of time to get things started.
Check out my short video below that shows a quick flip through what I have done so far.
Friday, April 7, 2017
After a little more than three months of working on the daily challenges, I am quickly running out of room in current journal, and I am planning on starting in a new journal this week during Art and Soul in Portland.
Bleed the Edge: Shapes
Embellished Text: Media
Watercolor: Bubble Wrap
Friday, March 31, 2017
It's been three months since beginning my 365 Challenge. The challenges have really pushed me to keep creating and to try things that I don't normally do. I must admit that I haven't been able to do them diligently every day, but in those instances, I've been able to catch up doing a few challenges a day. Either way, I've been able to be consistent with my journaling practice.
Writing on Separate Paper
Ink Bleed Throughs